As the width control is rotated toward wide, the amount of difference material is boosted, often resulting in more ambient material, and accentuated stereo reverbs. One of our best-selling units: Now with new black cosmetics for 2020 by popular request, celebrating the 15th Anniversary of Rupert Neve Designs. The only master bus compressor that I have is the one from IK Multimedia (besides the stock one from Cubase 7). Save my name, email, and website in this browser for the next time I comment. both channels include closely similar material that is in phase), this mono content is enhanced. The limiters share the same discrete, class-A gain module and VCA with the compressors, so using the Limiter does not introduce more stages that the music would have to pass through. Great mixes aren’t built on the master bus. I was in need of a transparent limiter before my A/D converter; one that didn’t crap out or fold up with certain types of songs. Great visual feedback. The reduction is calibrated in dB covering the range 1 to 22 dBu, reading from top to bottom, External compressor side chain send and return on 2 x TRS jacks. Output level meter covers the range from -10 to +22 dBu and above which is regarded as overload. And get products updates also! Hardwire bypass for MBP, including the input and output transformers, Continuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of each channel, Changes the VCA Detection from a forward feed design (fast, more accurate attack & release) to a feed back design (smoother, more musical response). It can also tame peaks and create pumping compression on individual tracks; however, it’s one of those compressors that can certainly be used on the master bus to give your song that last punch and sonic glue it needs. In addition to the adaptive time constant circuitry, the release time is also varied with the position of the knob. The G-Series Bus Compressor is a VCA-based stereo unit from the UK’s Oxfordshire-based Solid State Logic, derived from the circuits found in their legendary 4000 G-series console.The SSL excels at one thing only: stylish-as-hell bus compression, either on sub-mixes or the master bus itself. Used in conjunction, the depth and width controls effectively alter the perceived room ambience and dimension. Subtlety is key. This new topology is a significant evolution of Mr Rupert Neve’s classic designs with appreciable benefits to headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy while still providing the sweet, musical performance that has been a part of countless recordings. The release times are fully automatic and adjust depending both on the average depth of limiting and the duration of the transients above the threshold. FET compressor designs are less commonly used over the master bus, but the aggressive character of devices like the Universal Audio 2–1176 can be ideal for some mixes. Very low CPU usage. Interestingly, it's one of the few master bus compressors we've found to be useful with complex, full-on material like extreme metal, as it can control these mixes without simply overreacting. For example, if one wanted to increase the amount of low frequencies in the center image, engaging the SFE Depth and Depth EQ, set to LF, would filter out everything in the Mid signal except what is below the filter point (in this case, 250 Hz), and once reintroduced to the original would result in a perceived increase in the low frequencies in the center image. As a hardware piece this is a rare bird—working vintage units, if you can find one, … SSL G0-Series was originally the part of the vintage SSL 4000 console which had been … When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent modern response (feed-forward), or a smoother, more musical vintage response (feed-back). Oh, and it's worth a try on instruments, too - we like what it can do on a drums bus, for instance. The MSI Stereo Buss Compressor can be used on the Master Buss and also on sub-groups (Drum Groups etc). Though originally developed for mastering applications, the MBP has quickly become a favorite of mix engineers, tracking engineers, and even FOH engineers. (These two operations work on all MSI plugins). Professional GUI Design. Using the Width EQ again, this time set to HM (or LM as the case may be), increasing the amount of band-passed Side information can provide a wonderful spreading of instruments, reverberation and background vocals, giving the illusion that the sounds are spread further out, enveloping the listener. Now, the ultimate finalizer that transforms a mix into a finished record can be yours - in the box. With the stereo link control engaged, Ch. Attack time is .03 mS in order to reduce the first half of a 20 kHz waveform over the threshold, with Serial Adaptive Release. This configuration allows the limiter to grab a transient and let go just an instant later, while also dealing with more constant signals in a slower, more musical way. If the phase of one of the input channels is then reversed the mono content may be virtually eliminated. This allows the compressor to disregard sustained low frequency content. The depth control adjusts the spatial positioning of elements in the sound stage. When compression has taken place, the gain control is necessary to increase the overall gain to restore the program level. Analogue Modelled Buss Compressor. GAIN range provided is from 0dB to +20 dB. Analogue Buss Compressors are the secret behind many classic releases. The MSI Stereo Buss Compressor can be used on the Master Buss and also on sub-groups (Drum Groups etc). When signals exceed the “threshold” level, the gain is reduced in a controlled manner that depends on the Ratio that has been set. With the addition of using the EQ section on the Depth and Width, a wide range of tools is available to the engineer. As the knob is turned counter-clock-wise, the release time is increased accordingly, as typically one would want a longer release time with a larger amount of reduction. Be gentle. Try grouping all elements of you drums together into one group. Compatible OS (s): Windows. To fine tune the SFE, there are individual filters that allow a fine tuning of what information is reintroduced from the width and depth circuits, thus tailoring each effect to a specific bandwidth. And in general, the more processing you send a mix through, the smaller it will sound. Most of the time, we share our discount coupons to our Newsletter Subscribers only. Our new Adaptive Release Technology is behind this revolutionary performance. It has a “medium knee” initial ratio and within 3 dB of the threshold attains a better than 10:1 ratio. It is also possible to do the same thing with the Width EQ, except instead of boosting the width, cutting it, which removes low frequencies from the Sides, tightening up the low frequency perception in the center. Based around the high voltage, discrete and class-A signal paths made famous in the 5088 Mixer and the Portico II Channel, the Portico II Master Buss Processor is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Musically transparent brick-wall limiting activated when the signal reaches the limiter threshold. As above, Silk Blue Engaged, Texture fully CW: Better than 2.5%, As above, Silk Red Engaged, Texture fully CW: Better than 3.5%. What's your favorite master bus compressors? This combination of features provides exceptionally transparent limiting, and often allows twice as much gain reduction compared to other limiters before objectionable artifacts become apparent. When engaged, the compressor section can be used in both feed-forward and feed-back modes to provide a transparent modern response (feed-forward), or a smoother, more musical vintage response (feed-back). SC HPF inserts a high pass filter at 125 Hz into the side chain to deal with intense low frequencies that may skew the response of the VCA with certain songs and instruments. Your Gain Staging Is Incorrect. To further control the side chain, there is also an insert “send” and “return” that may be paired with an external EQ or other filters for additional manipulation. Range of RELEASE time is 100 mS to 2.5 Seconds. When disengaged, it follows RMS alone. MSI Stereo Buss Compressor is a free compressor VST plugin developed by Studio Toolz. If the release time is too … SSL G-Series. The “return” may also be used as a “Key” input for ducking one signal to another (for instance, a voice-over keying the compressor to duck a background music track). Four Peak LED METERS are provided that show stereo output levels and gain reduction. Looking to add the finishing touches to their latest masterpiece interesting to at... 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