�� � w !1AQaq"2�B���� #3R�br� As you can see in the picture I set the mics up on a bar about 150cm above the centre of the kit between the snare drum and floor toms. For the latin track that you can hear in the demo, it was just the "right sound". Ribbon mics of old required a mic pre with a massive amount of gain due to their low output level, but Royer pioneered the development of ribbon mics so now any 'quality' mic pre with a modest amount of gain will be able to boost the signal to a recordable level without massive amounts … It seems possible to get the job done without an in-line booster in a pinch. true /ColorSpace 7 0 R /Intent /Perceptual /BitsPerComponent 8 /Filter /DCTDecode The VR2 joins the new breed of phantom powered ribbon mics that started with the Royer R122 which have been designed for several purposes. It should be noted that not all ribbon microphones are compatible with phantom-powered systems, so check the manufacturer’s recommendations before using other ribbon microphones. However, we still recommend that you deactivate phantom power when Royer microphones are being connected or disconnected simply because other abnormal conditions may exist that could cause problems. The R-10’s internally shock-mounted ribbon transducer isolates the ribbon element from shocks and vibrations, increasing the ribbon element’s durability and life in the studio or on the road. ���� JFIF � � �� �Exif MM * > F( �i N � � � � Y� � �� 8Photoshop 3.0 8BIM 8BIM% ��ُ �� ���B~�� �Y" �� We will continue to service all R-101’s and honor their lifetime warrantees. For best and safety reasons, turn on your preamp first - ensure that the phantom power is of - then plug the Royer 121 ribbon microphone. The mic can obviously make a huge difference to the tone and quality of the recording but I think there is more to it. I like how the R-10 sounded on acoustic guitar. However I am wondering how sensitive these Mics are to 48volts? 6 0 obj ����( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��( ��(������( ����jVzE�����(aR�ǰ&�/Q�_x����c�{Z���^u,��8 �}9� ��� �kPb���:F�.?��j%R+sXє�Ӝ�FE~P?��+j�}v�8�2(>�)��Mk_�z��q�H�>d�_C�g��V}Y��YTe�*����|��w0ֿ-����QF�^�~a�C��y�? This is a sold microphone, handbuilt in California for the studio or live use. << /Length 5 0 R /Filter /FlateDecode >> Its ribbon transducer is wired for humbucking to reject electromagnetically induced noise. The included shock mount is also a quality addition. Some of the greatest electric guitar tones have been captured using combinations of ribbon and dynamic microphones and in many cases the ribbons being used were Royers so I wanted to try the R-10 on a full tilt electric guitar track. In short, if you are looking to increase your mic collection with a ribbon mic or two you should take a serious look at the Royer Labs R-10. Then there’s always the clean digital gain boost available in most trim pluggins. As I'm sure many of you who watch or read my Production Expert articles are aware, I spend a great deal of my time playing and recording drums, so when I read that the R-10 can be used on drums I wanted to try them as an alternative to the most common ribbon mic that you see being used on drum overheads in studios all over the world, the Coles 4038. Active Ribbon Microphone with 2.35" Ribbon, Figure-8 Polar Pattern, Custom German-made Transformer, and Phantom Power $999.00. stream I realised very early on that the microphone is one of, if not the most important, part of the recording chain. It's a non-powered mic--no phantom power required--eliminating a possible issue in small live sound venues. This is where, to my ears, the R-10 really holds it's own against not only other ribbon mics but other more expensive mics in the Royer range. As I said before, the R-10 on in my Grossmann 1x12" guitar cab sounded stunning. What would the consequences of … endobj The overheads are to create an image and pick up the cymbals. The R-10 carries on this tradition. Phantom-powered ribbon mic, more sensitive than any other ribbon. The business end of the R-10, it's 2.5-micron think (or should that be thin) aluminium ribbon element is formed using Royers patented direct-corrugation process. WavesFactory Echo Cat Is This The Only Delay Plug-In You'll Need? If 48volts are present, a … The final key element of the design is a David Royer custom designed transformer which helps minimize saturation at even extremely high sound pressure levels of up to 160 dB @ 1 kHz. I am extremely pleased with my sE Electronics Voodoo VR2 Ribbon microphone. 9��T��������Fb��~����~xh*��s���i�卖�2%�Z��T���*/�ZiP����%�7e��W�0�H?�\��-���o$�R\�B�?�S�H�u :߷��\��u8�p?��r}M?j��~�-��+?��+l�eƧj�զA�k5�"�d�T�����O��V��&��]ZBN1׿�G�>����������gh��� }Uw��� '�?6�rFq�� ���� Z���5xQI>�w�r~��?��s��G������8|#��x�������������?��� �_^�Ͼ�&���^d u^;c�8�p>�Z��S�� ���c�M�����q��ӿ_Z�Vk�J�S��~�43�Y���� The R-10 has a 2.5-micron ribbon element (the same as in our R-121) and a David Royer custom designed transformer for high overload threshold. The SF-2 ribbon microphone is a phantom powered version of our original SF-1 ribbon microphone. Under normal working conditions, phantom power will not damage a Royer ribbon. Its ribbon transducer is wired for humbucking to reject electromagnetically induced noise. endobj The R-10’s built-in windscreen provides protection from air blasts and plosives which can damage the ribbon. << /Type /Page /Parent 3 0 R /Resources 6 0 R /Contents 4 0 R /MediaBox [0 0 612 792] It also has the added effect of reducing the proximity effect so guitar cabinets and acoustic instruments can be close-mic'd without the worry of bass buildup. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. Hello, my name is James Ivey and I'm a microphone-aholic. The R-122 MKII is a compact, monaural, phantom powered ribbon microphone. The recording example below has no processing on it (no EQ or Dynamics) to give you an idea of just how easy it is to get a great acoustic guitar sound. The R-10 is Royer's most cost-effective mic starting at around £450 ex-taxes for a single mic and only £780 ex-taxes for a matched pair in a solid flight case. Nugen Audio Paragon Reverb Released - We Have An Exclusive Test. %PDF-1.3 4 0 obj Think of the R-10 as the little brother to the more widely known and highly regarded Royer R-121 and you won't go far wrong. They are well built, solid and sound great on just about anything you ask them to record. In my opinion this is one of the best distorted guitar tones I have ever recorded. endstream One of the facts about most ribbon mics is that they have a figure of 8 polar pattern. %��������� Power Requirements: 48-Volt Phantom Only; Supply Current: 4 mA; Dimensions: 206mm L X 25mm W (8 1/8” L X 1” W) Weight: 309 grams (10.9 oz) Finish: Burnished Satin Nickel / Matte Black Chrome (optional) Accessories: Protective wood case, mic sock Optional Accessories: Wind screen, shock mount I liked its smaller size--just 5 7/8-inches tall including the adjustable mounting clip--perfect for sneaking in close to guitar amps or percussion instruments. The intention here is to capture a good centre image of the kit as I also have close mics on the rest of the drums. Royer say you can never overload an R-10! 5 0 obj Firstly, it stops users being twitchy about the mostly erroneous belief that phantom power kills ribbons. I attached the mount to one of the bars in my Grossmann cabinet in line with the centre of the speaker just off to the side of the dust cap. Trusted content from independent music and post production experts. Copyright (C) 2020, http://www.pro-tools-expert.com/default-image.jpg, Plug-in Subscription Plans - Free Calculator, Eventide H9 Plugin Series Bundle - Powerful Plugin Effects Announced, EVE Audio SC3070 Tested - Compact 3 Way Monitors, Heritage Audio HA-609A Diode Bridge Compressor - Tested. It would not work for every kind of music but I think if you are going for that folky dark not to bright, natural acoustic sound then the R-10 could be a very good mic to choose. ;C��Ҧ Additional Media. Royer states on their website that the R-10 is particularly good on sound sources that produce high sound pressure level (SPL) such as electric guitar cabinets, drums and brass instruments but they also work well on softer acoustic instruments like violin, woodwind and acoustic guitar. The first audio example you can hear below is a full drum mix of a latin track I have been working on. The ribbon transducer is wired in the same way as an electric guitar humbucking pickup to reject electromagnetically induced noise. For those of you who are interested, the good folks at Royer Labs have produced a video all about the design, construction and implementation of their R- Series ribbon transducer, such as the one found in the Royer R-10. The Royer R-10 is a passive large-element ribbon microphone designed to deliver smooth, full-range frequency reproduction and high SPL handling for musicians, recording engineers, and live sound mixers in home studios, recording facilities, and live stage applications. The second track is just the stereo Royer Labs R-10 mics so you can hear what they are adding to this drumming party. endobj My friend Adam at UK pro audio dealer Funky Junk recently asked me if I would like to try a new matched pair of Royer Labs R-10 ribbon microphones. Royer R122 which have been designed for several purposes some people say you can hit them with phantom it! -- no phantom power kills ribbons months now and I think there is a EQ... The included shock mount is also a quality addition Overhead tracks aged 11, have. Of phantom powered ribbon microphone a mic line is crossed-patched at the patch bay, there a., it was just the `` right sound '' has struck a good balance with the sE Electronics VR2! 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