Susan Kare explains where the command key came from at Bloomberg Businessweek Design. I think that's a lot to ask of a symbol, that if you tested it everyone would all have the same one-word response as its function. (Art that Clicks)  Kare also created the bomb, which was originally created to let a user know there was a serious system failure. One of these T-shirts was worn on a little boy in New York Time magazine for the world to see. ( Log Out /  [6][15] However, she had no experience in computer graphics and "didn't know the first thing about designing a typeface" or pixel art[13] so she drew heavily upon her fine art experience in mosaics, needlepoint, and pointillism. Kare recalled the privilege of being directly taught by engineers how early software is assembled:[8] "I loved working on that project—always felt so lucky for the opportunity to be a nontechnical person in a software group. [27], In 2003, she became a member of the advisory board of Glam Media, now called Mode Media. [6] It's solving the little puzzle of making an image fit a metaphor. Dr. Kare has had immense success in her field. "[26] She said "good icons should function somewhat like traffic signs—simple symbols with few extraneous details, which makes them more universal"[42] and notes that there is no impetus to continuously modernize a stop sign. Chicago is her first font, made especially for systemwide use in menus and dialog; it has a bold vertical look initially named Elefont,[4] in which Kare implemented Jobs's idea of variable spacing, where each character can have the unique pixel width that it needs, to differentiate the computer from a monospaced typewriter. She worked as a creative director for the company NeXT that Steve Jobs founded after leaving Apple. After college, Kare moved to San Francisco where she worked in an art museum. (Susan Kare, Wikipedia)  (Technology; Building an Alternative to Windows)  Some of the most memorable Icons created by Kare were the trash can (for discarding files), the Mona Lisa face (letting people know the computer is working), and the clock (letting someone know the computer is busy and cannot be used). [11][10] After her Ph.D., she moved to San Francisco to work at the Fine Arts Museums of San Francisco (FAMSF),[6][12] as sculptor[13] and occasional curator. Currently, she is a partner in Susan Kare LLP, creative director for Chumby Industries, Inc. and co-founder for Glam.com. [49] Her brother was aerospace engineer Jordin Kare. [21], Since the late 1980s, she uses Adobe Photoshop and Adobe Illustrator[42] using a grid-like template to simulate the constraints of the target device and user experience. Susan Kare is one of the notable contemporary American graphic designers. Now Playing: Susan Powell vanishes while her husband says he went camping with sons: Part 1 Now Playing: Josh Powell kills himself, young sons in an explosion: Part 2 [5] Her brother was aerospace engineer Jordin Kare. ... She was often referred to as a "muse" for her husband, but what many people might not know is that F. Scott actually stole excerpts from her diary, word for word. [24], Smithsonian Magazine summarizes her groundbreaking Macintosh work: "It was an intense time with untold pressure to perform on a new product launch that demanded countless hours of work, rework and work again to get everything right." She divides her time equally between work, her husband, dog and three sons, and recreational surfing, skiing, crafts, and reading. [13][20] Her business cards read "HI Macintosh Artist". [9][4] He suggested that she get a US$2.50 grid notebook[4][16] of the smallest graph paper she could find at the University Art store in Palo Alto[17] and mock up several 32 × 32 pixel representations of his software commands and applications. Her work was revolutionary, bringing a sense of ease for the average person using computers. After success with the gifts on Facebook, she created limited edition gifts and gifts for the new year. In co-creating the original Macintosh computer and documentation, she drove the visual language for Apple's pioneering graphical computing. “Susan Kare, an interface graphic designer in San Francisco, is known for the family of desktop icons produced for Apple, including the wristwatch whose hands spin as a task is performed — work that has become a humorous, reassuring standard for personal computing software.”  (With the World Redesigned, What Role for Designers?) and she is an artist and graphic designer who created many of the interface elements for the Apple Macintosh in the 1980s. [6] More advanced graphical tools were written for her by Hertzfeld,[13] and she embellished the flagship application MacPaint's user interface while the programmers matured it to become her primary tool. in Art from Mount Holyoke College in 1975, with an undergraduate honors thesis on sculpture. Susan Kare received her high school education from Harlot high school, then attended Holyoke College and soon earned her Bachelor of Honors in art there. When Ahrendts became CEO of Burberry her husband gave up work to become a stay-at-home ... Susan Kare. The Museum of Art in New York began featuring her designs on stationary and notebooks. Although she has become quite successful and has the power to have a staff do most of the busy work for her, Kare would rather be doing the work than promoting. Kare’s few years at Apple set a tone for how people were able to relate to computers. She created the Lasso, the grabber, paint bucket, Chicago and Geneva typefaces, the first three generations of Apple iPod interfaces, The happy mac (a smiling computer welcoming users), the command symbol, and Clarus the dog, which was designed to indicate pages printing horizontal or vertical. 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